Review: Mr Mercedes – Stephen King

Bill Hodges Trilogy #1

SYNOPSIS: In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.

In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.

Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again.

Only Bill Hodges, with a couple of highly unlikely allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.

Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable. – via Goodreads

This is yet another of those books that I have been meaning to read and just never got to… I am seriously starting to contemplate a book blind spot list alongside my movie one! Anyway, I have thoroughly been enjoying the King books I have been reading recently, and decided that now was a fantastic time to dip my toes into this trilogy, and boy, I wasn’t wrong!

King, as always, weaves some truly interesting characters. These didn’t necessarily feel as nuanced as some of his other works, but they were good. I really liked Jerome, he was a really good character, and I thoroughly enjoyed reading about his interactions with Holly as well as Hodges. Holly, too, was a character I grew to like a lot, as I was rather suspicious of her initially. Hodges and Janey have such a lovely relationship, and it was something I did look forward to.

Mr Mercedes is a book that gets down to business relatively fast. There are characters we meet, they get killed, and the story gets underway. The books breezes by really quickly, too, so it just gets into the swing of things, and reads as though this is not the first instalment in a series, which is an art to be appreciated. The humour, too, was pretty solid here, and I had a few smiles throughout. I also really liked the Judas Coyne reference that was thrown in here by King – little Easter eggs like that are thing I super enjoy in his world.

Brady is an engrossing villain, too. I was hooked reading all his pages, though he made me sick. Without a doubt he was definitely off his rocker in some fundamental ways, and it was so sad to read about his childhood – not for him, but for Frankie. The relationship between him and his mother is proper disturbing, too.

Mr Mercedes might not be King’s greatest work, but it is definitely still well worth the read. It flows well, has a good story and it is interesting, and is peppered with characters you will get involved with and invest in. I will definitely be checking out the other books in this series.

Review: The Last Mrs Parrish – Liv Constantine

I received this book in exchange for an honest review. 

SYNOPSIS: Amber Patterson is fed up. She’s tired of being a nobody: a plain, invisible woman who blends into the background. She deserves more—a life of money and power like the one blond-haired, blue-eyed goddess Daphne Parrish takes for granted. To everyone in the exclusive town of Bishops Harbor, Connecticut, Daphne and her husband, Jackson—the beautiful philanthropist and the confident real estate mogul—are a golden couple straight out of a fairytale, blessed with two lovely young daughters.

Amber’s envy could eat her alive . . . if she didn’t have a plan. Amber uses Daphne’s compassion and caring to insinuate herself into the family’s life—the first step in a meticulous scheme to undermine her. Before long, Amber is Daphne’s closest confidante, traveling to Europe with the Parrish family, and growing closer to Jackson. But a skeleton from her past may undermine everything that Amber has worked towards, and if it is discovered, her well-laid plan may fall to pieces. – via Goodreads

Disclaimer: I am so over reading these taglines for books touting it an addictive/shocking/thrilling and having “the best twist” or a “twist you won’t see coming”. Eventually this is going to cause me to not request books or something I swear.

Now, moving on from that, let’s get to the book. Initially I was not a fan of this book. I liked the concept, but didn’t know how well the execution was going as it was a bit rocky in the beginning. I resented reading from Amber’s perspective because really, what a bitch and what a horrible piece of work. There were absolutely no redeeming qualities to her, and the more you read about her, the more you realise that she is one hell of a selfish twit and sociopathic and all. Yes, I am aware that is exactly how she is intended to come across.

I won’t say that the book is shocking – Daphne is a character I liked from the beginning, one I did not believe to be even remotely as stupid as Amber thought her to be. Jackson set my teeth on edge, and I felt so justified in my belief that he was an abusive douche nugget and that he and Amber totally deserved each other. I felt vindicated man, really. They are truly icky characters.

The book flows quite well, laying this sordid tale bare, and you cannot help but be drawn in. As I said, it might come across as a bit predictable, but in no which way does that mean it is not engaging. It is compelling, but it could certainly have toned down on the money shaming that went on the whole time in the beginning, it got old fast. To read about the reality of Jackson and Daphne’s marriage was quite rough because really, that was some mad stuff going on there, and I was fascinated to see how Constantine would carry through with it. Every time you think that something might have been forgotten/overlooked in the narrative, Constantine delivers the goods.

All in all, The Last Mrs Parrish is well worth the read. It is engaging and interesting and has some things that will make you think (spoiled children and one’s notion of abuse amongst other things). The Last Mrs Parrish is a solid psychological/drama read (though not a shocking! thriller! like it is marketed), and I am so glad I checked it out, and can certainly recommend it!

May Blind Spot Review: Rear Window (1954)

“I’ve seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?”
– Jeff

SYNOPSIS: A wheelchair-bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder. – via IMDB

So I finally, finally watched this. I quite liked Disturbia when I saw it, and learned after the fact that it was based on Rear Window. I have vowed for years that I would get to this, and it has finally happened folks. I am so damn proud of myself. That being said, let’s talk about the movie, a film I particularly liked for a variety of reasons and can finally understand why it is so revered.

Rear Window faces the challenge of taking place in pretty much one place. I am not usually bothered by this even remotely, provided that the story is solid and there is method to the madness. One set is fine with me. This is a prime example of how to handle a single area. You are constantly wondering about Lars Thorwald and all that Jeff is seeing, wondering if there really is an issue, or if Jeff is so bored from sitting there the whole time and his mind is getting awfully creative. The performances from both the stunningly gorgeous Grace Kelly and James Stewart are exceptionally important for the implementation of the film. Because we essentially only have one area the story is taking place in, their chemistry is important, as well as the delivery of their roles. You buy into their obsession – it starts slowly with Lisa, initially dismissive, and then they are hooked, both of them. This obsession also forces them to come together more – they are also so into each other and dancing around it because Jeff is a fool that thinks Lisa is just some finicky fashionista with no real depth. Idiot.

I enjoyed the dynamics between Jeff, Lisa, and Stella. I was not overly keen on Detective Doyle and his distinctly sexist views on things, but it must also be noted that this movie did touch on feminism. Lisa is a strong, independent woman who totally does not fit the mould Jeff would like to place her in, and Stella is also quite the entertaining woman. I also truly appreciated the dialogue of the film – it is fast, witty and sharp.

The way that the movie was shot is also impressive – the voyeuristic feeling you get while Jeff watches the courtyard and the neighbours lingers. It really comes across as curious, and then moves right into creepy territory, which adds to the suspense and unease you feel when watching this, which is awesome. It is masterfully handled. The runtime for this is rather long, but you never feel like time is being wasted while sitting around and watching it. Instead you are hooked from the off and desperate to see what happens.

Rear Window is a rewarding watch, something I can say I am pleased to have finally gotten to. It is masterfully created, the suspense sets in from the off, it is visually appealing to watch and carried by fantastic performances from our lead. It is engaging and fascinating and well worth the look see.

Review: John Wick: Chapter 2 (2017)

“You stabbed the devil in the back. To him this isn’t vengeance, this is justice.”
– Winston

SYNOPSIS: After returning to the criminal underworld to repay a debt, John Wick discovers that a large bounty has been put on his life. – via IMDB

I’m pretty sure you all know that I am a pretty huge fan of John Wick, and I have been eagerly anticipating this sequel for quite some time. I trekked off to the cinema opening weekend for this, and I was not disappointed. It is a strong sequel to be sure. This is what most sequels wish they could bring to the table, but fail at more often that not.

Chapter 2 is everything John Wick was, but amplified. Bigger guns, more bullets, more hand to hand combat than you can shake a stick at, just more extravagant everything. It has plenty of throwbacks to John Wick, which is amusing. There is much of the same, but more, if that makes sense. The movie is exciting and the action is engaging, and again it embraces the fact that the story is relatively skinny and rolls with it, and so the viewer is, irresistibly, drawn in all over again. The movie keeps it simple with the story, and indulges with the visuals and the score. I also really enjoyed the humour that was present in Chapter 2 – still my kind of humour. Keanu Reeves dominates as John Wick, and I simply love watching him in character. Ian McShane is, as always, a joy, and Broyles Lance Reddick also brought the goods.

All that being said though, I also had some issues. I felt the movie was a touch long, and while finally getting to see more of this super mysterious, elaborate assassin/criminal underworld, there were some niggles to be had. I am looking here specifically at the end, making it look like every single person in the whole city has ties to this underground organisation. Really? Sometimes the humour also didn’t land quite as quick, fast, and slick and the predecessor.

While Chapter 2 is an entertaining watch that hooks you from the off, I just don’t see how and why it is considered to be the superior of the two films. Totally worth the watch though, and definitely a movie I will be revisiting. It is smooth, well choreographed, exciting, stunning to look at, and is just plain fun. Absolutely recommended.

November Blind Spot Review: Chinatown (1974)

chinatown poster

“You’ve got a nasty reputation, Mr. Gittes. I like that.”
– Noah Cross


SYNOPSIS: A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption and murder. – via IMDB

GRADE 8Another one off the list! I thoroughly enjoy neo-noir films, and I am always pleased when I get to watch one. Chinatown is considered a classic and a work of art, and I am inclined to see why it is a classic. The script is solid, and accompanied by a great score that complements the film every step of the way. The movie is also carried by two great leads, and Nicholson and Dunaway give fantastic performances. I do think that the movie was exceptionally long. Sometimes you noticed this, other times not so much. It took me awhile to get into it, but when I was hooked, I was taken in all the way. The story is simple, but never plain and boring, but never so complex that is loses the viewer along the way. Chinatown is also shot really well. I was not a fan of one particular scene where Jake laid into Evelyn pretty solid. Everything was going fine and next thing he was smacking the heck out of her, and I felt it was jarring. I suppose it is still loyal to the times and all, but that type of stuff grates on me. And it was brutal, especially when you hear what she reveals after. Brutality for brutality man. I don’t really know what else to say about the movie – I enjoyed the concept and the execution, the atmosphere and vibe, and I liked the fact that the ending made me think, too.

Downton Abbey: Season 1 (2010)

donwton abbey series 1


What I liked:

  • The costume design. It was sumptuous, stunning, suiting and perfect. I was very impressed.
  • Maggie Smith. There is no way that you can watch this show and not absolutely love Cousin Violet and her antics. She is so strongly opinionated, but technically has a heart of gold under that prickly facade.

downton abbey cousin violet what is a weekend

  • The cast is wonderful. I think they all bring something of worth to the table. Jim Carter as Charles Carson is great, Brandan Coyle as John Bates is just perfect, I love him, and I think he and Joanne Froggart as Anna Smith work wonders together. Siobhan Finneran’s Mrs Sarah O’Brien and Rob James-Collier’s Thomas Barrow are such wily snakes. They really get under my skin.
  • Dan Stevens. Because holy wowzers, he is freaking adorable and such a gentleman and a heart-stealer. Argh! Besides the fact that he plays Matthew Crawley so well, Matthew’s character itself is just so… perfect. Definitely not cut from the same cloth as his infinitely richer counterparts, he is a hard worker, smart, loyal, good looking and so down to Earth.
  • Lady Mary Crawley’s character growth. It really took me from totally hating her to just being irritable with her at the best of times. I no longer wanted to shoot her though.
  • The courtship between Lady Mary Crawley and Matthew. I mean, I am a little phased by the whole cousin thing, but at the end of it, and despite the fact that she was introduced as a super bitch and remains quite so throughout, her character grows quite a bit, and I found myself rooting for them to finally get over their issues and get together.
  • Watching Cousin Violet and Cousin Isobel together is worth every second of screen time. They just have no time or patience for one another, but go about it in such different way. Plus, how competitive are these two?
  • Sybil Crawley. Jessica Brown-Findlay captured her wonderfully, and this character is simply a favourite of mine. The way she helped Rose Leslie’s Gwen to find work, and how she is so free spirited and happy and pro-feminism is just great, and I am quite a fan of it. She is so independent, and I love the banter between her and Allen Leech’s chauffeur Tom Branson. He compliments her because he is also so different and political and he encourages her, but he looks out for her.
  • How the divide between the rich and the poor and the working class is illustrated here. The servants work themselves to the bone, and the rich don’t necessarily realise all the work that gets done, the effects it has, and how much they differ from the help. For instance, Mary is quite dismissive about positions within the house, though she becomes rather embarrassed when she realises how important they are to other people (looking here specifically at what went down with William when he was looking after the horse).
  • The humour. It is very sharp and very dry, I love it!

downton abbey season 1 branson and sybil

What I didn’t like:

  • I am not necessarily a fan of the way that time jumps, and months/years have passed, but the n arrative continues as though there has been no time lapse.
  • The relationship between Edith and Mary. I know it is there for the dramatic side of things and all that, but sheesh, how bitchy can you get with your sibling?!
  • The whole legal predicament – it is explained, but not as nicely and as smoothly as I would have liked, meaning I get the gist of it, but not too much the technicalities of it.
  • How totally self-centred Mary is, and how she spends far too much time listening to outside influences.
  • Thomas and Mrs O’Brien – two snakes if ever I saw them!

downton abbey season 1 mary and carson

GRADE 8.5I watched this once up until season three, then fell out with it, and decided a few months back to rewatch this and actually finish it this time around. I was particularly in the mood for something British. Naturally this ticked all the boxes, and I popped it in.

I was drawn in from the very first episode, no kidding. I love a good drama, and for a period setting and story, this was lovely. There were laughs, there were hard times, there were great relationships, there was some insane scheming, and there was character growth.

Typical of a show/book with such a massive array of characters, I was worried that I would forget them all, or not know how they all fit in. This is a normal fear when bombarded with so many people, especially seeing as how they were all introduced in the first episode basically. Getting to know Downton was a wonderful experience, and I am a big fan of the cast. Maggie Smith is a scene-stealer, of course, and her character of Cousin Violet is just immensely wonderful. She is so underhanded, so wealthy, so out of touch with how the rest of the world works, you cannot help but laugh at her. I particularly enjoyed her quip about weekends, and the competition/rivalry between her and Isobel is so worth watching. It is hilarious, and everyone is aware of it, some humour it, mostly because getting awkward doesn’t help. They are both immensely strong willed women. I also like how she is not as cold as you think, and sometimes she does particularly sweet things, but she does’t like to draw too much attention to it (such as when she relented and allowed Bill Molesley to win the flower fair).


Then there is Matthew Crawley. I cannot lie and say I did not fall deeply in love with his character. He was more in tune with reality, solidly middle class, not dismissive like the rest of the Crawley clan, smart as a whip and simply gorgeous. He was just… different, and I liked that. Not to mention that I think Dan Stevens is absolutely super hot, and he was adorable here (just look at his relationship with Molesley after he realises how the food chain works). Jessica Brown-Findlay was another actress I was very happy to see. I think she is beautiful, and her character of Sybil is wonderful – strong-willed, cheeky, a feminist to the core, and helpful. She is also more genuine than the rest of the family seems to be, such a free spirit. I must admit, I loved watching her be all rebellious, and thought that her and Tom Branson were so sweet together.

Bates was another character I deeply admired. He was loyal and genuine and such an honest man, and he would not shift blame. When he started he was treated so badly, and it actually hurt to watch, but eventually commanded the respect of just about everyone, and that was great. Also, I liked how he had served with Lord Robert Crawley in the war, and everyone treats him terribly and dismissively and he was actually friends with Robert, and it changes things when the rest of the servants realise this. He doesn’t use connections/relations with people to get ahead, however, and will never take anyone down with him maliciously, no matter what. Thomas and Mrs O’Brien irritated me, they were such forces of evil! T

he distinct portrayal of how times are different and cultural mores and norms that have differed is something I thoroughly enjoy watching, too. Wow, there is so much going on in this show actually that I am not sure how to address it all. I don’t want to leave anything out, but there is just too much that is right with this! Obviously this means that if you have not yet watched this, you should rectify that immediately. 

downton abbey put that in your pipe and smoke it

Rapid Review: The Invitation (2015)


“Forgiveness doesn’t have to wait. I’m free to forgive myself and so are you. It’s a beautiful thing. It really is.”
– Pruitt

SYNOPSIS: While attending a dinner party at his former home, a man thinks his ex-wife and her new husband have sinister intentions for their guests. – via IMDB


GRADE 8So I have read quite a few good reviews on The Invitation, and I have been quite looking forward to checking it out. Eventually, the time had come, and I got on it as soon as possible, and I enjoyed every damn second of it. The film features a ton of unlikable characters, except Will, out main peanut we are supposed to identify with and root for, and I really do like him, and I feel awfully sorry for him. He has obviously not gotten over the death of his son, and seeing him back in the family home was something, because you could see the havoc is wreaked with his mind. Aside from that, he is also the most normal person there is at this insane little dinner party, which makes the situations even more bizarre. The air of awkwardness and tension was palpable in The Invitation, so the atmosphere was great, I really liked it. Like my husband said, the movie actually just makes you feel really uncomfortable, so it definitely scores points on that front. Another thing that is funny – in the movie, David locks the door and Will is uncomfortable with it, and my husband and I scoffed. We would be super uncomfortable here having a dinner party with unlocked doors, etc. But this is Africa. Out there it might very well alarm people when doors are locked in the midst of a dinner party, I don’t know. I just have a suspicion that if/when we move out of the country, we are going to look like such crazy people wherever we move to! The movie is shot incredibly well and looks fantastic. Looking at cults is, as always, fascinating, and this movie handled it just right. The guests of this dinner party were not interested in joining a cult, though the hosts certainly kept pushing the point the whole time, and it was constantly hanging around just on the edges. The performances were all solid, too, and I really think that Logan Marshall-Green nailed his role, I really liked him. The score is also super creepy, and gets right under your skin. Complemented the film every step of the way. Anyway, I thoroughly enjoyed The Invitation and would highly recommend it – this little thriller is a slow burn (but never too slow) that creeps up and packs a punch, and still has you wondering if you really are understanding what is going on at the best of times, is great to look at, and leaves you feeling unsettled. Tense movie!

Here’s a trailer, but I recommend going in blind if possible, and skipping this trailer. Gives away a tad too much, in my opinion.

April Blind Spot Review: Let The Right One In (2008)

let the right one in poster

“I’m twelve. But I’ve been twelve for a long time.”
– Eli

SYNOPSIS: Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl. – via IMDB


GRADE 7So, after all this time, it has finally happened. I got off my butt and watched a movie that has been recommended to me about fifty million times without fail, one that I will always “get to” but never have. No more, folks, the time had come to rectify that! I must say, I enjoyed this movie. It was slow, dark, took its time going places, didn’t rush too much, and focused a lot on Oskar, and the strange relationship that builds between him and Eli. It’s actually disturbing, but handled so well. The movie is littered with a lot of really beautiful but desolate shots, but it fits with the movie and makes it really pretty to look at, and gives off such a lonely, cold feeling. The movie also handles violence in such an understated manner, which was weird, but totally worked for this. Oskar was a really sad kid, and the bullying he suffered was awful. To watch how the other boys were bullied into bullying Oskar, too, gives that a whole different angle. It was horrible to watch, but to see Oskar gain some hope and fight back was also endearing. The film is rather haunting, and takes a look at how people form connections, and how deeply those connections can run. I found almost all of the supporting characters to be really flat and bland though, meaning that the impact of the relationship between these kids cannot always be see. While I really enjoyed this movie, and will surely watch it again, I was not super in love with it. Maybe because it has been hyped up for so many years, I expected more. That being said, I really did like it, don’t get me wrong. It was captivating, mesmerising and haunting, and well worth finally having checked out. Next on my list is to read the book (at some point – I also have a huge to read list) and fill in missing parts of the story, and clarifying other things. 

Review: The Undoing – Averil Dean

the undoing averil dean cover

I received this book in exchange for an honest review.

SYNOPSIS: On a bitter January evening, three people are found murdered in the isolated Blackbird hotel.

Best friends since childhood, Eric, Rory and Celia have always been inseparable. Together they’ve coped with broken homes and damaged families, clinging to each other as they’ve navigated their tenuous lives. Their bond is potent and passionate—and its intensity can be volatile.

When the trio decides to follow Celia’s dream of buying and renovating the Blackbird, a dilapidated hotel that sits on the perilous cliffs of Jawbone Ridge, new jealousies arise and long-held suspicions start to unravel their relationship. Soon they find themselves pushed to the breaking point, where trust becomes doubt, longing becomes obsession, and someone will commit the ultimate betrayal.

An unflinching story of ambition, desire and envy, The Undoing traces the events leading to that fateful night, revealing the intimate connections, dark secrets and terrible lies that wove them together—and tore them apart.  – via Goodreads

GRADE 8.5Wow. I did not expect to love this one. The write up looked like something I would enjoy, but instead I got to read a book I got sucked into, whose pages reeled me in and held me hostage. I was captivated from the off, and fascinated throughout. The Undoing is a dark tale, a story with substance, with realistic characters who are flawed and broken and oh, so human. I think that the content of the book might make a lot of people uncomfortable, and I think that might affect the ratings, but I liked that Dean went for it and didn’t mess around. It was never really too out there – there was no blood ties, the sex was consensual, but you need to wrap your mind around that concept first. I think a lot of people will be stuck on the step-siblings bit.

The Undoing is a psychological story – don’t expect action, or crazy horror, or something like that. This book is about three friends, their ties, their history, their story, and it is worth every second of your time. The way the book is structured is great, too, where it starts at the end result, after the tragedies, and works its way back. This works wonders for the book because you get the story as it is, and you go back and see how the relationship between Rory, Eric, and Celia came to be, how it had changed over the years, how they all felt about each other. It is incredibly complex, and I felt for these people. They did not have a simple childhood, they were too close and too wound up with one another, I can see how their relationship would progress the way that it did.

The writing made the characters real for me. I ached for them, for their struggle, for how complicated things were for them, it was insane. Because they were all fleshed out so well and had depth, it was easy to get so involved. This is not to say that they were all likable, all the time, because goodness knows they had their moments, but that also made them more realistic people for me. How many people are truly perfect? I found that, at times, the sex would seem like too much, but then, each scene served a purpose.

The side characters, too, brought something to the story. So cold, so calculated. The novel is haunting, demanding your attention and lingering long after the fact. I was enthralled, the book really feels immensely personal. Initially they are just characters, dead people, and when you start uncovering their ties, you are a little confused because, well, Celia and Rory are step-siblings, and Eric is Rory’s best friend, yet Celia is sleeping with them both? So… first they were dead, then she was sleeping with them, then you find out they are all aware of each other and the sexual ties, and have some crazy connection? It starts confusing, no real attachment to anybody or investment in the outcome, how we got there, just a bit of what the hell thrown in, and then it grows into this immensely complex, crushing, beautiful, dark story. The three of them are so wrapped up in each other and their history together that they cocoon themselves away from the rest of the world – nobody else really gets in, and it isn’t healthy.

Small things stuck with me after – the significance of Eric’s tattoos, the friendship between Rory and Eric, how it changed, Celia’s disconnect from the world, her contentment to stay exactly where she was. I don’t want to say too much, but there are little things that are thrown in that resonate. The Undoing is a deeply moving novel – for me, at any rate. I can see that I will go back to read this time and time again because there is so much to it, so much intensity, so much beauty and confusion, obsession and longing, and it all comes together so wonderfully. It is sad, muddled and tangled, but worth every moment. I don’t know – this was totally my type of read: unconventional, twisted, not something that everyone will like, and not afraid to explore some taboo subjects.

Rapid Review: Predestination (2014)

predestination poster

“We all trip up along the way. But you and I, perhaps over the same things.”
– The Unmarried Mother

SYNOPSIS: The life of a time-traveling Temporal Agent. On his final assignment, he must pursue the one criminal that has eluded him throughout time. – via IMDB

predestination bar

GRADE 8.5I have been meaning to get around to it pretty much since it came out. However, I never did, and it never really climbed up in my watch list. I decided to check it out the other day, and I am so glad I saved it for a rainy day. I was in the mood for a good film, and this one ticked more boxes than I thought. Man, what a twisty flick! Also, I don’t get why people give Ethan Hawke so much flak. Granted, he is no DiCaprio or Matt Damon or anything like that, but I have always found him to be consistently entertaining and good at what he does. Anyway, let’s move from this point on to the movie itself. I liked Hawke here, his barkeep character was good, and the setup for the movie is something that engages you from the off. Then there is Sarah Snook, and dear goodness, she steals the damn show. She was brilliant. I don’t really want to say too much, but wow, she was phenomenal here, and did a fantastic job. I will certainly be keeping my eyes open for her in future. I really liked how the movie took time to get set up, introduce us to the characters, and then went on this insane whirlwind journey and dragged you along, whether you could keep up or not. I am sure if you really, really want, you can pick this movie apart. Me? I know nothing about this field of science and theory or anything like that, so for me it was exceptionally entertaining and mind bending. There was also a lot of heart to be found here, and it truly contributed to the overall product. I thought Predestination was smart, featured some stellar performances, was engaging and shot really well. I did not have a single moment where I got bored, and I think I want to look into reading this book, it was one hell of a story. I understand from reviewers that have read the book and watched this that this is an exceptionally loyal adaptation, which is awesome. I don’t want to say too much, because this is one of those movies you want to go into about as blind as possible. One of the better films I have seen in a while, and definitely worth checking out.