“You don’t know about real loss, ’cause it only occurs when you’ve loved something more than you love yourself.”
– Sean Maguire
SYNOPSIS: A janitor at MIT, Will Hunting has a gift for math and chemistry that can take him light-years beyond his blue-collar roots, but he doesn’t realize his potential and can’t even imagine leaving his childhood Boston South End neighborhood, his construction job, or his best friend. To complicate matters, several strangers enter the equation: a brilliant math professor who discovers, even envies, Will’s gifts, an empathetic shrink who identifies with Will’s blue-collar roots, and a beautiful, gifted pre-med student who shows him, for the first time in his life, the possibility of love. – via IMDB
This movie is one of those movies that is just really good, whether you are in the boat of it being overrated or not. Either way, it’s a good one. I adore Matt Damon and will watch him in anything (hence I made it through Elysium), and I think he is immensely talented. That was showcased once again in Good Will Hunting. The movie is one of those films that makes you laugh a lot, feel for the characters, and touches on some things that make you think (pretty much anything Sean Maguire said in this movie was something to think about). I thoroughly enjoyed seeing how insanely smart Will was, dissing college students yet being a janitor who is actually just too scared to reach further in his life. The humour in this movie is sharp, and gets me laughing every time, and Casey Affleck’s character was just adorable (what a chop). The story is really good, and moves along at a respectable pace, never getting boring, never getting so intricate that you lost what was going on. Robin Williams was something else in here, and I loved his character. This is one of my favourite roles of his. Sean Maguire was depressed, so flat, and yet he had so much knowledge to share, and was an integral part of Will realising there was nothing that he couldn’t do. He and Damon worked wonders together. The story is sweet and inspiring and has aged pretty well. I think Ben Affleck and Damon are very good writers, no matter how you feel about it. Minnie Driver is someone you don’t see in many films anymore, but she embodied Skylar very well, and I thought that Stellan Skarsgård’s Lambeau was a fantastic character to put Will’s gifts into perspective with, though I do feel his character was not used as consistently or as effectively as he could have been. Good Will Hunting is shot well and is engaging, and it just so worth the watch.
“This is Jason Bourne, the toughest target that you have ever tracked. He is really good at staying alive, and trying to kill him and failing… just pisses him off.” – Pamela Landy
SYNOPSIS: Bourne is once again brought out of hiding, Jason Bourne is now hunted by the people who made him what he is–legendary assassin. Having lost his memory and the one person he loved, he is undeterred by the barrage of bullets and a new generation of highly-trained killers. Bourne has only one objective: to go back to the beginning and find out who he was. – via IMDB
Ah, Jason! Just as you think the story is over, a way is found for Jason to be back in the cross-hairs of the United States Government – and really, where else would we want him? Well, for our entertainment at least. The Bourne Supremacy features more shaky cam than I would like, and the end, while brilliant, is a little bit saddening because it took away the whole conspiracy aspect if he made the choice himself, doesn’t it? Matt Damon, of course, was simply excellent here, though we expect nothing less. Joan Allen returns as Pamela Landy, and she still is a wonderful person to hunt Bourne. She is definitely not like the others though, and has a totally different view of Bourne, and I highly appreciate it. Little bits and pieces of Jason Bourne/David Webb’s story come about, and it just continues to ensnare, interest and entertain. The movie is fast paced and thrilling, with a super smart story and excellent performances to carry it. David Strathairn’s Noah Vosen was such a crooked dude, and so necessary for the story. I loved the strife between him and Pam, it was intense, and at extreme opposites to the relationship that has been forged between Pam and Bourne. Nicky Parsons got some more time in this outing, and that was also pretty good. The movie is shot exceptionally well, the performances are spot on, visually the film is great and that choreography? Again absolutely mesmerizing. The Bourne Ultimatum proves why the Bourne trilogy (and yes, people, in my mind it is a trilogy only) is so successful – each installment is equally as gripping and entertaining, and they are all smart. I had an absolute blast revisiting this franchise, it has been well worth the time.
“What were my words? What did I say? I said leave me alone.” – Jason Bourne
SYNOPSIS: When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive. – via IMDB
Sequel time! The Bourne movies are some of the few movies that remain excellent… well, the original Damon trilogy at any rate. The Bourne Supremacy continues that line of brilliance of its predecessor. Opens to show us the sweet little life Marie and Jason have built together on the run, and when that is snatched away from them, it is genuinely a bitter experience. From there, things just escalate. The plot was another solid one, and the performances all round were excellent. Karl Urban was an enjoyable enemy to stand opposite Jason, and they could really go each other. We see more about Jason Bourne, the man that he was, the man that he has become, and how he desperately wants nothing more to do with the US Government, but apparently they are not done with him. The film takes its time to pace itself, which is something I have always appreciated about these films, and Bourne is just such an amazing character. I love how dark and brooding and incredibly smart he is, it works on so many levels. Also, his jackets in this movie… wow. Let me just have my fetish moment. Matt Damon was, of course, in fine form here, reminding me as always why Bourne is one of my favourite Damon roles. I thought Landy was a great pick to hunt Bourne, she was totally different from Conklin but it worked, definitely not a bad thing. I thought the movie was shot well, though at times I felt that the shaky cam effect was overused, as instead of pulling you into the action, it just gives you a headache and a dizzy spell. I don’t actually have any complaints here, the movie is gripping, thrilling, smart and entertaining with fantastic choreography – everything you’d expect from a Bourne film.
“You’re U.S. Government property. You’re a malfunctioning $30 million weapon. You’re a total goddamn catastrophe, and by God, if it kills me, you’re going to tell me how this happened.” – Conklin
SYNOPSIS: A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and regain his memory. – via IMDB
I love Jason Bourne. Seriously. I love these movies. I have always enjoyed them. Plus, Matt Damon. Because Matt Damon is amazing. But really, I wish I could express how exciting and brilliant I find these movies. Okay, okay, let’s move on to the movie itself. The Bourne Identity is one of those action movies that ticks all the boxes for me. It is smart, has a really good story, has a solid cast carrying it all, is directed well, looks fantastic and has brilliant choreography. The pacing is something I liked. No rush here, so sirree, it starts with Bourne in the ocean, shot, fished out, almost dead, and as Bourne learns about himself, so does the audience, and that is a fun thing. There is no rush, and when the action kicks in, you get swept up in this intense mystery of who the hell Jason Bourne is, and what he was before the amnesia kicked in. Matt Damon is just brilliant here. He delivers us Bourne and he nails it – the emotions are down, you identify with Jason and root for him, even though you know nothing about him at all, it doesn’t matter. Hell, even when you learn he was a super spy assassin, that doesn’t matter. Bourne is layered, and his blank-slate introduction made him someone you could identify with in a hurry, so they didn’t have to tell you too much. But you uncovered more and more about him and find ways to slot the new information in on the man you have discovered him to be without his memory. The story is also pretty sharp, definitely a solid spy-thriller and it doesn’t get old, either. The camera work is also something to be admired, something that transports you right into the events that are unfolding before your very eyes. The Bourne Identity is a solid movie, with a gritty, realistic hero, something I would highly recommend spending some time watching, as it is well worth it!
“I’m gonna have to science the shit out of this.” – Mark Watney
SYNOPSIS: During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. – via IMDB
This was something I was looking forward to seeing because, well, Matt Damon. Yep, I will watch the man anywhere. Knowing it was a Ridley Scott film, I was tentative (come on, Exodus is still way too fresh in our minds to dismiss). He can either be brilliant or he can really suck. But back to space? Sure. Right off the bat, my fiancé was not a happy camper by the time this was over. While he said it was good, he was hoping for something more like Interstellar or Alien, and he got neither, but this does not mean the movie was crappy, it’s just not something he is going to rush again. I know there are a few people that feel that way. So, for me, the movie really isn’t bad. I was entertained and there was a lot to like, even with the shortcomings of it. However, I certainly don’t feel that the movie is worth all the hype that is running rampant about it, truly. I was a huge fan of Matt Damon in this, he just totally owned that role of Mark Watney, and he was geeky, nerdy, hilarious and resourceful, and he was entertaining every second he was on screen (not that I expected any less). Also, let’s not forget Sebastian Stan in 3D, something I can always easily get on board with because so much deliciousness there – but I totally could have done with more of him on screen. I loved the science side of the movie, and how it came together. I was a huge fan of the Lord of the Rings reference in the movie because a) Lord of the Rings and b) Sean Bean was present for the whole thing! I thought seeing the multiple uses of duct tape to be fabulous and provided me with plenty laughs, and the disco music Watney was subjected to? Priceless, and made for a hilarious soundtrack to the film. The film is visually stunning, and I was mesmerised from the off by it. All of this, however, does not make a great movie, there were some things I took issue with. The biggest flaw of this movie is the fact that everything happening on Mars is fascinating and engrossing, but the Earth element just does not measure up and falls short in too many places. Let’s not forget the silliness that was Rich Purnell, and no, I do not say that in an endearing way. The character was annoying to the nth degree, and made me cringe. Not to mention the movie was filled with things slotting into place at just the right moment, and information coming to the fore at just the right time, which made it a little too convenient for me to fully buy into. I found Watney’s crew to be incredibly underutilised – come on, they could have been more present, Chastain was criminally underused here. Some of the zero gravity movement looked a bit stiff for me, and I was incredibly unimpressed with the way that Watney loses all that weight as he stays on Mars, and a body double was used to represent this, yet the moment he is back in his (skintight) suit, he is all buff again. The script and pacing was all over the show, as well, and I thought it lacked inventiveness. Despite all this, The Martian is shot wonderfully, showcases a solid return to form for Scott, and is worth a watch at least once even though it is riddled with some silly faults.
“Waiting for The Call. What other reason is there to pick up the phone?”
– Qohen Leth
SYNOPSIS: A computer hacker whose goal is to discover the reason for human existence continually finds his work interrupted thanks to the Management; namely, they send a teenager and lusty love interest to distract him. – via IMDB
I sat throughout this movie with a wtf-is-going-on attitude. Not because it was bad, but because it was a bizarre journey to take. Waltz delivered a great performance, and I absolutely love listening to this man. His voice, his cadence, its all very mesmerising. While he may have not been as eloquent as his role as King Schultz, or as thrilling as Hans Landa, Qohen was his own unique and bizarre character. I loved his usage of “we” and “us” instead of “I”, and his twitchy mannerisms were interesting to watch. He was absolutely crazy and strange, yet at the same time you want to know more about him, and you hope he realises all those things he is evidently hanging onto in life. Lucas Hedges as Bob entertained me endlessly, he was certainly one of my favourite characters. The way he and Qohen taught each other things and learned from one another was so cool, and Bob’s energy was palpable. There were things that I did not really get in this movie all the time, but that wasn’t too important. The constume design was fantastical and crazy, suiting the style of the movie down to a tee, and I loved the settings and scenery used in this film. Qohen’s home being in an abandoned church was interesting, and it had both a beautiful and depressing feel to it at the same time. The camera work was cool, and the plot layout had you wondering what the hell was going on the whole way through. I really wish Matt Damon had been given a bigger role, I do so love his work (even when he has crappy roles like Max in Elysium). I had a giggle at the Church of Batman the Redeemer, and the way the dystopian future was portrayed was incredibly weird, yet it worked. I don’t really know what else to say about it. I think that some people look at this as a missed opportunity comedy or something, and while there are scenes that are humorous and all, overall it is more depressing than anything else, but I liked that. This movie is certainly not going to be for everyone, of that I am certain, but as for me, I liked it.
“So we have a virus with no treatment protocol, and no vaccine at this time.” – Dr Ellis Cheever
A disease seems to be spreading, and it appears to be nothing too major. A flu, some illness, simple stuff. Beth Emhoff (Gwyneth Paltrow) returns to Minneapolis to her husband Mitch (Matt Damon) and son Clark (Griffin Kane). She seems ill, and as such stays home from work. Soon, though, Mitch is called to his son’s school to collect him seeing as he is ill. Blogger/reporter Alan Krumwiede (Jude Law) has stumbled upon the story and wants to make it known to the world, but is told that there is no reason to cause a panic, and is turned away. Soon after, the death toll begins, and it makes the news eventually. People are starting to panic; it seems to be spreading rapidly.
Mitch is placed in isolation after his wife and son die, and his daughter Jory (Anna Jacoby-Heron) soon joins him to check up on him, not having been home when the contagion spread. He seems to be immune to the disease. In an attempt to leave the city, he learns that there is a quarantine in place for everyone, and that nobody is allowed to leave. Dr Ellis Cheever (Laurence Fishburne) of the Centres for Disease Control and Prevention meets with people from the Department of Homeland Security, and they want a game plan. The disease is suspected to be a bioweapon, and Cheever puts Dr Erin Mears (Kate Winslet), an Epidemic Intelligence Service, on the case, and wants her to investigate the disease and its origins, how it spreads, etc. The disease is spreading around rapidly now, and Dr Mears is having an issue getting local bureaucrats to put money into the project.
Dr Ally Hextall (Jennifer Ehle) at the CDC isolates the virus base, seeing that it is a mix of material from pig and bat viruses. However, now that she knows what the issue is, there is still the problem of finding a way to create an antivirus, and soon. The world’s population is rapidly diminishing. Fear runs rampant throughout the globe, and soon the societies fall into disarray. Mitch puts him and his daughter under lockdown and refuse to see anyone in fear of her getting infected, and is trying to deal with the fact that his wife and son are dead and that she cheated on him prior to dying. Dr Cheever is fending off everyone that is harassing him for answers. Meanwhile, things are getting so crazy out there that doctors are being kidnapped and held ransom for antiviruses, wanting them first. Among them is World Health Organization epidemiologist Dr Leonora Orantes (Marion Cottilard), who is taken to a little village and instructed to teach the children while they wait. Krumwiede is causing stirs when he is scaring the population with his conspiracy theories and personal opinions, taking many people for a ride now that he has the power to do so.
Will anyone be able to isolate the strains of the virus that are so deadly and create a vaccine? Will the world be able to recover from the epidemic that they are suffering? Will societies be able to rebuild after human nature snaps out of its social norms and runs rampant?
The concept was alright – unknown disease spreading rapidly, hopping continents even and working fast to knock the human population on its ass – well done. It is not something anyone wants to contemplate. How do you escape it? How do you stay safe? What if you become infected? The implementation was alright, though there were so many things left unanswered, so many leaps and bounds with no explanation and a lot of moments of lull. It was interesting, just failed to hold you from the beginning to the end, but it kept you watching, just not always so much on the edge of your seat. The cast was very good though, and managed to keep you interested from the off, each of them playing their roles incredibly well. There was a lot going on, and being able to see the entire story from a lot of different points of view was worth it – you understand what they are going through, their action and how they are struggling through things, so from the average person to the businessman to the person that is working to fight the disease, everyone is together on it. Also watching how people react to the unknown and how easy it is for the world to fall into disruption and chaos due to fear and the unfamiliar is insane. Jude Law’s character started off with a purpose, but that soon dissipated, and his role soon became an annoyance and a bit of a mystery (and no, not the good kind, either). Worth checking it, it was a decent film in its own right, though drastically flawed and filled with lull.
“We have a question: Do you want to be a cop, or do you want to appear to be a cop? It’s an honest question.”
– Oliver Queenan
Francis “Frank” Costello (Jack Nicholson) runs the Irish organised crime in South Boston. He is smart and values education, and clever at picking out loyal gang members. At a very young age he picks Colin Sullivan (Matt Damon) and cultivates him to be one of his finest assets. Sullivan trains and enters into the Massachusetts State Police, and now acts as a perfectly placed mole within the police force. However, luck would have it that Sullivan gets moved into the Special Investigations Unit, which deals directly with hunting for Frank Costello and taking him down. It seems Costello’s efforts with Sullivan will pay off. Meanwhile, William “Billy” Costigan works his way through the police academy, but is approached by Captain Oliver Charles Queenan (Martin Sheen) and Staff Sergeant Sean Dignam (Mark Wahlberg) to infiltrate Costello’s gang, going undercover. They cannot hide that he was at the academy, but they can have him arrested and incarcerated to have a believable background. Costigan has family ties back to organised crime that is most helpful to get him in with the right people.
Costigan flushes his life away and goes to prison. Coming out, he meets up with his cousin Sean (Kevin Corrigan) and starts running drugs. Slowly but surely, he starts getting in with the right people. Costigan gets an introduction with Arnold “Frenchie” French (Ray Winstone) and later meets with Costello himself, who after a painful interrogation decides that he could use a guy like that. Both Sullivan and Costigan are on their way to infiltrating properly, and Sullivan starts seeing psychiatrist Dr Madolyn Madden (Vera Farmiga), though their relationship it not peachy. Costigan is actually seeing Madolyn for his state mandated psychology sessions for probation. He is attracted to her, and when things get rough between her and Sullivan, she starts something up with Costigan. Costigan is proving himself to be a real asset to Costello, and climbs the ranks rather quickly.
It soon becomes evident to the Special Investigations Unit that they have a mole, and Costello and Sullivan suspect that there is a rat within Costello’s ranks. Sullivan is tasked by Queenan to find the mole, who happens to be himself. Costigan and Sullivan are now desperately hunting each other, both terrified of what would happen if they were discovered. Costigan had already tried to get out of the life though Queenan begged him to stay on just a little bit longer. Costigan fears for his life, and is horrified by the terrible things that he sees daily. Sullivan’s perfect little life starts unravelling when it becomes evident that he had better come up with the mole’s identity, but he cannot very well give up himself.
Will Costigan find out who the mole within the State Police is? Will Sullivan discover the identity of Costigan, Costello’s rat? Will Queenan stick to his word and get Costigan out before it is too late? What will Dignam do with the way the investigation is being run, and the fact that he does not like Sullivan? How safe is Costello really? Is he as untouchable as it is all made out?
The Departed scores a solid 9/10 for me. I absolutely love this film and it really never gets old for me. It has a damn fine cast with a pretty slick plot that is laid out incredibly well. There are no arb jumps and things that leave you lost and confused. The acting is top notch and the tension keeps you hooked from the get go, with never a dull moment working its way into the precious minutes of your life that are being dedicated to this film. It is long but never, ever drags out. Jack Nicholson is impressive as Irish gangster Frank Costello, and his relationship with Matt Damon’s Sullivan was worth checking out, too. Sullivan was slick and smooth and completely believable in his role of mole within the police force. DiCaprio was a wonder (as always) to experience as Billy Costigan, and gave the character so much colour and flair. He went from angry and badass to terrified yet loyal to the job. Wahlberg’s character was such a douche, and he gave him so much life! I really thought the characters were constructed well. There is so much to say about this movie, so much that worked about it. One of the best movies I have seen in ages, something I continually go back to and love. I thoroughly enjoyed the soundtrack for The Departed. Probably my favourite use of Gimme Shelter in a movie. The movie is fast paced and thrilling, and has you at the edge of your seat for the duration of it. It is one of my favourite movies, and Martin Scorsese did another phenomenal job with his people on this one. What a thrilling flick! For a far more in depth review of what I thought about this, you can go check it out here.
“I’m not interested in your little ideas. I’m interested in something much larger. This habitat is dying. There is a political sickness inside of it. A tumor that needs to be removed.” – Secretary of Defense Delacourt
In a futuristic dystopian future, the world has been divided again. It is 2154 and the rich and affluent people of Earth have moved to Elysium, a lavish space habitat, beautiful, technologically advanced and safe, not overpopulated and desolate like Earth. On Earth, cruel robots control everything, people answering to them. Max Da Costa (Matt Damon) is one of the unfortunate ones trapped on Earth, but convinced he will have the money and means one day to buy a ticket to Elysium, to live life freely. Max has a criminal record, and it counts against him. He is a parolee and works for the assembly line Armadyne Corp. Max is not high up on the food chain and works himself to the bone. An unfortunate incident with the police bots gets Max some more time tacked to his parole, but his unfortunate meeting with them re-acquaints him with Frey (Alice Braga), a childhood friend.
Returning to work after the incident with the police bots, an accident occurs which has Max lethally poisoned by radiation, leaving him with a remaining five days to live. Amradyne CEO John Carlyle (William Fichtner) is callous and uncaring towards Max’s situation, just wanting him out of the building. Max returns home, where his friend Julio (Diego Luna) cares for him. Max needs one of the Elysium Med-Bays to help him, and appeals to smuggler Spider (Wagner Moura) for a ticket up there, not caring that three other ships that attempted to reach Elysium were shot down. Eventually Spider relents when he brokers a deal – Max will get his citizenship and ticket up there if he hijacks financial information from en Elysium higher up, and Max decides to use Carlyle. Max then goes into surgery in which Spider’s men hook him up to a powered exoskeleton to sustain him and help him with the job. Meanwhile, on Elysium, Secretary of Defense Delacourt (Jodie Foster) is in a lot of trouble with Elysian President Patel (Faran Tahir) for having dispatched formidable sleeper agent Kruger (Sharlto Copley) to eradicate the three approaching ships. Kruger is cut loose, and Delacourt turns to Carlyle to make a deal to overthrow the current Elysium computer core and grant herself presidency, while Carlyle will get all future defense contracts for the next two hundred years.
Max is not happy about his deal with Spider, but is desperate to get up to Elysium and heal himself – he wants to survive. When Max and his guys attack Carlyle, Delacourt gets Kruger back into action, who is sent out to put a stop to all the madness. Max is wounded in the getaway, what with the information from Carlyle he downloaded but cannot access. He goes to Frey, whom he learns has a daughter named Matilda (Emma Tremblay), who is dying of leukemia. Frey wants Max to take Matilda with him and heal her, though he refuses, citing that it is too dangerous out there. Max goes to Spider to free himself form Earth and become and Elisium citizen, and they learns that the program that they have intercepted from Carlyle can be used to make everyone a citizen of Elysium. Delacourt has put Earth under lockdown, and no ships can leave. Frustrated, Max realises that he will have to sort something out with Kruger. Meeting with Kruger to make the trade (his health for the important information in his head), he is shocked to find out that Kruger has taken Frey and Matilda hostage.
Will Max be able to find a way to keep Matilda and Frey safe? Will he be given his citizenship when he turns over the information? Will Kruger allow Max to live? What will happen to everyone on Earth? Will Matilda be saved? Will Kruger realise the importance of the information in Max’s head and use it to his own dreaded ends?
A 4/10 for Elysium, and that is being far too kind. Wtf world?! Two incredibly good friends of mine were very insistent that I not shoot the film down and check it out, so I got pretty amped to see what it was all about at the rate they were going. I mean how the hell does Jan Pierewiet get worked into a movie? A South African actor garnering the praise from so many people globally as one of the best movie villains in ages? I just had to experience this for myself. And I did. And oh boy, what a freaking disasterpiece! The camera work was just dreadful, all over the show and not sure of the story it was supposed to tell. The soundtrack is another something I was not sold on. Then let me get to Agent Kruger. Dammit I was excited, sure that he would bring to the movie what was missing. I was so sadly mistaken. For one, his pronunciation/accent was overkill and made us all sound like retards in South Africa (I will blame this on overacting, I swear people, we don’t sound like that), and he was not scary in the least. This was something that really bothered me. I heard so many account of how fresh and new he was and how frightening. He was laughable at worst and used incorrectly. The dialogue was freaking dreadful in here, and had my other half and myself in stitches half the time for how badly it came together. Wow! I was prepared to shoot someone if I heard the words “boytjie” uttered one more time or “we’ve got a runner”. Wtf why?! Again, confusion reigned supreme for the majority of this. I reckon it is now safe to assume that I am not a Neill Blomkamp fan, as I was one of the few people in the world that couldn’t abide District 9, either, and this was a massive step back from that (although maybe I should attempt District 9 again sometime). I am so sad to see Matt Damon’s name attached to this project! Overall, definitely something I would not recommend to anyone.
“If you’re gonna steal from Terry Benedict, you’d better goddamn know. This sorta thing used to be civilized, you’d hit a guy, he’d whack you, done.” – Rueben Tishkoff
SYNOPSIS: Danny Ocean and his eleven accomplices plan to rob three Las Vegas casinos simultaneously. – via IMDB
This movie is just a load of fun; there are no two ways about it. It is smart, witty, well shot, excellently cast and so well written. You are captivated by the story from the get go, and it does not disappoint. It also has an exceptionally awesome cast, and they all bring the goods to the table here. It’s really rewarding to see something that could have bombed come together so well.
Brad Pitt never ceased to entertain me with the amounts of food that he consumed throughout the film, having had to work it into his character. Don Cheadle was just a bag of laughs (crazy Brit that he portrayed, accent and all). I particularly enjoyed Casey Affleck and Scott Caan together. Every actor contributed to this film perfectly (and the ensemble cast is just too big to discuss each and every contributor), and Andy Garcia really gave forth that scary don’t-mess-with-me Mafia vibe. Also, watching Clooney and Pitt together was very rewarding, they just work together.
Steven Soderbergh carried this film with zest and flair, and it was very clever and fresh. For a film that was a remake, this just goes to show that they are not always destined to bomb out and fail! The pacing is fantastic and I cannot recall a single dull moment in it. Everything is set out as you need it, and it is smart and funny while doing it. The movie looked really good, the soundtrack was smooth and suited exactly for what this was – a bag of fun heist flick! Ocean’s Eleven is sharp, and worth the watch every single time.