“I believe that there’s another man inside of every man. A stranger. A conniving man.”
– Wilfred James
SYNOPSIS: A simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to participate. – via IMDB
So, in keeping up with 2017 being Stephen King’s year, I had to check out some more offerings. I quite enjoyed It, and heard good things about the Netflix offerings, so I figured I may as well check it out. 1922 is engaging, one can absolutely not deny that. It is a slow burn, which might irritate some, but I thought it was the right pacing to set the right tone for this film, because the story is not a fast, crazy horror. It is a psychological slow burn that creeps up on you and takes you down.
First off, while the world might not love Thomas Jane, I quite enjoy him, and I think he is pretty awesome for King adaptations, so I was pleased to see him return for yet another outing. He plays Wilfred James, a farmer who is quite taken with his lands, and to watch him move from simple farmer, father, husband to some greedy man is wonderful, as Jane handles the shift well.
1922 has some solid pacing working in its favour, too, as this is not a story that should be told in a rush. It is a deliberate setting with a deliberate outcome, and is not a mile a minute story. The slow burn totally worked for me, but I know not everyone is sold on it. The story is rather fascinating, too. Not revolutionary, that’s for sure, but engrossing nonetheless. There were some rather intense section to sit through, too.
I think that 1922 is a solid outing and worth the watch. You get a chilling look into James’s mind, his greed for the land and his manipulating and conniving was quite something to watch. His refusal to accept the repercussions was intense, and to see what his horrendous plans did to his son and to his family is something else. 1922 is a dark tale that slowly sets itself out before you, one that gets under your skin. Well worth the watch.